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Composer, pianist, musicologist, librettist, pedagogue, born in 1973 in Brno into the family of Miloš Štědroň, a Brno-based musicologist and composer. He studied at Brno's Conservatory (subjects: piano - V. Šeffl and composition - J. Bárta), and the Janáček Academy of Music and Performing Arts (1994-1999, composition - Prof. A. Parsch). Concurrently, he studied musicology at the Faculty of Arts of Masaryk University in Brno, graduating in 2001. In 1999 he moved to Prague, where at the Prague Conservatory he teaches composition and music theory. In June 2009 he received Ph.D. in composition at the Faculty of Music of the Academy of Performing Arts in Prague. He is married, and has two daughters.

As a composer, he focuses on music from a host of genres. He has created more than 80 opuses. The range of his compositions is wide, he has written chamber and orchestral works, musical monologues, as well as pieces for theatre. He has a special penchant for working with vocals and various types of percussion, which he uses copiously in his compositions. His opera Lidská tragikomedie (Human Tragicomedy) to his own libretto, inspired by the writer/philosopher Ladislav Klíma, was staged at the National Theatre/The Estates Theatre Prague  in March 2003. He collaborated with the musician Iva Bittová, recording the CDs Iva Bittová Classic (1997) and Echoes (2001). In 2002 he arranged compositions for her concerts on the international tour with Nederland Blazers Ensemble. He finds inspiration in poetry - primarily the verses of Jan Skácel and Ivan Blatný. In 2004 he presented in Munich a musico-dramatic performance to Ivan Blatný's texts, in the following two years he concerted with his compositions in Berlin and Heidelberg.

Since 1994 he has regularly created music for theatres - he has written scenic music for Prague's National Theatre, Divadlo na Zábadlí, Divadlo Husa na provázku, Studio Dialog, A studio Rubín, the Mladá Boleslav Municipal Theatre, Divadlo Komedie, the DISK theatre, the Zlín Municipal Theatre, etc. Since March 2007 Prague's Divadlo Komedie has been staging his successful Kabaret Ivan Blatný (Ivan Blatný Cabaret) for which he wrote both the music and libretto. 2008 he composed a musical Stesti dam (Happiness of Ladies, Theatre DISK), a stage music to Moliére's Don Juan or to the play Mikveh by Hadar Galron (since 2008 both performed at the National Theatre Prague ). 2009 he created music to the performance about Mother Teresa, where the main character is sung by a contratenor.  In his author projects (music theatre pieces with own text and music) he is focusing on great personalities of Czech history and culture (Hasek Cabaret, western-musical Tony D. on Antonin Dvořák, Gocar Thetre on the architect Josef Gočár or Velvet Havel on the former Czech president Václav Havel). His second opera on own libretto Don Hrabal was premiered at the National theatre in Prague in December 2017.

In 1996 he received an honourable mention in the composers' competition GENERACE, in 2004 an honourable mention in the Leoš Janáček Composers' Composition in Brno. In the international competition of radio recordings Rostrum tribune Paris 2006 he won an award for his composition for the male vocal quartet PASEJAMá. He was twice nominated for the Alfred Radok Award for the best stage music 2007 for Ivan Blatny Cabaret and 2010 for Lamento/Mother Theresa. For his Gočár Theatre he was awarded with the Alfréd Radok Award for the best music  2012 and with the Theatre Papers Award for the best musical teatre piece 2012/2013. His play Velvet Havel (with own text and music) was awarded in 2014 with the most prestigious Czech theatre award - the Theatre Critics Award in 5 categories (including the best music and best play).

As a pianist and improviser, he has a passion for making peculiar creations, primarily when accompanying silent films (Festival Stummfest.cz in Prague 2006, 2007, Cinegoga 2010), performing either on his own or with a band.

He is also a sought-after music arranger. He has arranged a host of famous melodies for various casts (Gershwin, Kander, songs of Edith Piaf, etc.).

In addition to composing and practical musical activity, he also occasionally devotes to music reviewing and writing. For the publishing houses Bärenreiter Praha, Editio Janáček and Supraphon he has edited several works, primarily those of Janáček.